Articles: exploitation cycle histories
These articles cover exploitation cinema one cycle at a time: where the Italian giallo, cannibal and zombie booms came from, what drove Ozploitation and blaxploitation, and how British censorship turned a shelf of video tapes into a legal panic. Each one links to the films it discusses.
Three kinds of piece: surveys of a whole cycle, deep dives on a single film, and profiles of people. If a term is unfamiliar, the glossary of exploitation subgenres defines it; for somewhere to start watching, try the curated lists or the double feature generator.
- deep dive · 24 October 2026
Pinku eiga and the rules that shaped it
Pinku eiga is a Japanese trade category for cheap independent sex features, sized for small theatres and shot to fit Eirin's rule on what a body may show.
- deep dive · 17 October 2026
The B movie and the double bill it was made for
A B movie is what an exhibitor took to get the A picture, a flat-rate second feature, and the 1948 Paramount ruling ended the arrangement.
- deep dive · 10 October 2026
Modern exploitation films after the drive-in and video
Modern exploitation films moved from the drive-in to the Palme d'or, the Academy Awards and streaming, and British censors still cut them today.
- deep dive · 3 October 2026
The best exploitation films and what makes a canon
The best exploitation films are picked by censors, restorers and polls before anyone ranks them. What that machinery leaves on the shelf.
- deep dive · 26 September 2026
Exploitation films of the 1970s, the boom and the bust
Exploitation films of the 1970s explained through the ratings gap, the drive-in double bill, the cycles that ran fast, and the censors who cut them.
- deep dive · 19 September 2026
Exploitation film examples, cycle by cycle
Exploitation film examples grouped cycle by cycle, from Freaks in 1932 to the video nasties, with the real dates, cut durations and censorship rulings.
- deep dive · 13 September 2026
The Exorcist was banned on video in Britain by one censor
The Exorcist passed uncut for British cinemas in 1974, then had no legal UK video release from 1988 to 1999 because one censor would not certify the tape.
- deep dive · 12 September 2026
The grindhouse and where the word came from
What a grindhouse is: a continuous-performance theatre, the 1925 trade term behind the word, and how the programming got its reputation.
- deep dive · 15 August 2026
Cult films and the audiences that make them
Cult status arrives after release, through late-night television, midnight bookings and VHS trade, as The Brainiac, Walking Tall and Patrick each show.
- deep dive · 28 July 2026
Wake in Fright is not an exploitation film
It was lost for thirty years, found in a bin marked 'for destruction', and it is the best thing on this site.