Sweet Sweetback's Baadasssss Song
Sweet Sweetback's Baadasssss Song is a 1971 film from the USA, directed by Melvin Van Peebles, running 93 minutes. reelscum files it under blaxploitation.

- Year
- 1971 · 1970s films
- Country
- USA
- Runtime
- 93 min
- Director
- Melvin Van Peebles
- Updated
- 29 Oct 2026
- Obscurity
- known (28/100)
- Also known as
- Sweet Sweetback's Badass Song
Defined in the glossary: Blaxploitation
Financed independently, structured like nothing else, and it changed the industry.
Melvin Van Peebles financed it himself when no studio would, shot it fast with a mostly non-union crew, rated it X by an all-white jury and put that on the poster as a boast. A Black man kills two cops who are beating a suspect and runs, and the film runs with him, angry and formally wild.
It made a fortune independently and proved the audience existed, which is the entire reason the studios chased the next two hundred films on this shelf. It is also a genuine piece of avant-garde filmmaking, dedicated to all the Black people who have had enough.
Historically the most important film here, and still confrontational.
Trailer
The numbers
Nobody has rated this yet. Be the first to make a claim you'll have to defend.
Your call
Where to watch
Legal options in USA
Links open in a new tab (↗). Availability data via TMDB and changes constantly, so confirm on the service. Legal options only. Checked 8 Nov 2026. All options ↗
Discuss with AI
Open a chatbot with a question about this film already typed out. Useful for a second opinion, plot detail, or where to find a copy.
Written about
- Exploitation films of the 1970s, the boom and the bust
Exploitation films of the 1970s explained through the ratings gap, the drive-in double bill, the cycles that ran fast, and the censors who cut them.
- Exploitation film examples, cycle by cycle
Exploitation film examples grouped cycle by cycle, from Freaks in 1932 to the video nasties, with the real dates, cut durations and censorship rulings.
- Blaxploitation, 1971 to 1975
Melvin Van Peebles caught gonorrhea on his own set, filed a workers' comp claim, and bought more film stock with the settlement. Four years later the studios had mined the audience out and moved on.
Filed alongside
Coffy
Pam Grier's arrival. Jack Hill knows exactly what he has.
Foxy Brown
Coffy again, louder and worse written. Grier is still magnetic.
Super Fly
Curtis Mayfield's score critiques the film it's in. Remarkable object.
Blacula
William Marshall plays it completely straight and almost saves it.
Across 110th Street
Grim, well acted, and the best film in the cycle by some distance.
Black Caesar
Larry Cohen shooting Harlem guerrilla-style. James Brown scores it.
Cleopatra Jones
Tamara Dobson, six feet two, government agent. Shelley Winters overacts gloriously.
Cotton Comes to Harlem
Two Harlem detectives chase a stolen fortune hidden in a bale of cotton. The one that opened the door.
Black Mama White Mama
The Defiant Ones with Pam Grier, shot in the Philippines by a Filipino who actually knew the terrain.
Hell Up in Harlem
Larry Cohen's weekend sequel to Black Caesar, rougher and more berserk than the original.
Black Belt Jones
Jim Kelly karate-chops the mob to save a Watts dojo. Blaxploitation meets kung fu, joyfully.
The Spook Who Sat by the Door
The most political film the blaxploitation boom made, pulled from cinemas and buried for thirty years.