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Foxy Brown

Foxy Brown is a 1974 film from the USA, directed by Jack Hill, running 87 minutes. reelscum files it under blaxploitation.

Poster for Foxy Brown
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Year
1974 · 1970s films
Country
USA
Runtime
87 min
Director
Jack Hill
Updated
29 Oct 2026
Obscurity
known (25/100)
Also known as
Burn, Coffy, Burn!
Banned in
UK

Defined in the glossary: Blaxploitation

⊘ Banned in UK

An unlikely Section 3 entry, the Pam Grier revenge picture caught up in the seizure list.

Coffy again, louder and worse written. Grier is still magnetic.

Coffy again, louder and less coherent, and still a showcase for Pam Grier at the height of her stardom. Out for revenge after her man is murdered, Foxy infiltrates a vice ring, and the film piles on incident with less control than Coffy but more sheer attitude.

Jack Hill originally conceived it as a Coffy sequel, and it shows in the recycled beats, but Grier is magnetic and the film has a rougher, angrier energy. The vigilante finale is uncompromising.

Not the best Grier vehicle, but maybe the most iconic.

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Where to watch

Legal options in USA

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Written about

  • Blaxploitation, 1971 to 1975

    Melvin Van Peebles caught gonorrhea on his own set, filed a workers' comp claim, and bought more film stock with the settlement. Four years later the studios had mined the audience out and moved on.

Filed alongside

Poster for Coffy

Coffy

1973 · USA · 87m
Obscurity: known. watchable legally

Pam Grier's arrival. Jack Hill knows exactly what he has.

Poster for Sweet Sweetback's Baadasssss Song

Sweet Sweetback's Baadasssss Song

1971 · USA · 93m
Obscurity: known. watchable legally

Financed independently, structured like nothing else, and it changed the industry.

Poster for Blacula

Blacula

1972 · USA · 93m
Obscurity: known. watchable legally

William Marshall plays it completely straight and almost saves it.

Poster for Super Fly

Super Fly

1972 · USA · 93m
Obscurity: cult. watchable legally

Curtis Mayfield's score critiques the film it's in. Remarkable object.

Poster for Across 110th Street

Across 110th Street

1972 · USA · 102m
Obscurity: cult. watchable legally

Grim, well acted, and the best film in the cycle by some distance.

Poster for Shaft

Shaft

1971 · USA · 97m
Obscurity: canon. watchable legally

Gordon Parks directs a solid detective film. Isaac Hayes does the rest.

Poster for Cleopatra Jones

Cleopatra Jones

1973 · USA · 89m
Obscurity: cult. watchable legally

Tamara Dobson, six feet two, government agent. Shelley Winters overacts gloriously.

Poster for Black Caesar

Black Caesar

1973 · USA · 87m
Obscurity: cult. watchable legally

Larry Cohen shooting Harlem guerrilla-style. James Brown scores it.

Poster for Hell Up in Harlem

Hell Up in Harlem

1973 · USA · 94m
Obscurity: cult. watchable legally

Larry Cohen's weekend sequel to Black Caesar, rougher and more berserk than the original.

Poster for Black Mama White Mama

Black Mama White Mama

1973 · USA · 87m
Obscurity: cult. watchable legally

The Defiant Ones with Pam Grier, shot in the Philippines by a Filipino who actually knew the terrain.

Poster for Black Belt Jones

Black Belt Jones

1974 · USA · 87m
Obscurity: cult. watchable legally

Jim Kelly karate-chops the mob to save a Watts dojo. Blaxploitation meets kung fu, joyfully.

Poster for Cotton Comes to Harlem

Cotton Comes to Harlem

1970 · USA · 97m
Obscurity: cult. watchable legally

Two Harlem detectives chase a stolen fortune hidden in a bale of cotton. The one that opened the door.