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Shaft

Shaft is a 1971 film from the USA, directed by Gordon Parks, running 97 minutes. reelscum files it under blaxploitation.

Poster for Shaft
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Year
1971 · 1970s films
Country
USA
Runtime
97 min
Director
Gordon Parks
Updated
29 Oct 2026
Obscurity
canon (12/100)
Also known as
Les nuits rouges de Harlem

Defined in the glossary: Blaxploitation

Gordon Parks directs a solid detective film. Isaac Hayes does the rest.

Gordon Parks, the first major Black studio director, makes a lean private-eye picture and lets Richard Roundtree walk through Harlem like he owns the pavement. The mystery is ordinary. The attitude, the coat, and Isaac Hayes's Oscar-winning score are not.

It kept MGM solvent and proved a Black-led film could cross over, which is the entire reason the next two hundred films on this shelf got made. Watch it for Roundtree and Hayes, who between them supply more cool than the plot deserves.

The theme alone earned its place in history.

Something else

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Where to watch

Legal options in USA

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Written about

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    Melvin Van Peebles caught gonorrhea on his own set, filed a workers' comp claim, and bought more film stock with the settlement. Four years later the studios had mined the audience out and moved on.

Filed alongside

Poster for Blacula

Blacula

1972 · USA · 93m
Obscurity: known. watchable legally

William Marshall plays it completely straight and almost saves it.

Poster for Foxy Brown

Foxy Brown

1974 · USA · 87m
Obscurity: known. watchable legally. banned somewhere

Coffy again, louder and worse written. Grier is still magnetic.

Poster for Coffy

Coffy

1973 · USA · 87m
Obscurity: known. watchable legally

Pam Grier's arrival. Jack Hill knows exactly what he has.

Poster for Sweet Sweetback's Baadasssss Song

Sweet Sweetback's Baadasssss Song

1971 · USA · 93m
Obscurity: known. watchable legally

Financed independently, structured like nothing else, and it changed the industry.

Poster for Super Fly

Super Fly

1972 · USA · 93m
Obscurity: cult. watchable legally

Curtis Mayfield's score critiques the film it's in. Remarkable object.

Poster for Across 110th Street

Across 110th Street

1972 · USA · 102m
Obscurity: cult. watchable legally

Grim, well acted, and the best film in the cycle by some distance.

Poster for Black Caesar

Black Caesar

1973 · USA · 87m
Obscurity: cult. watchable legally

Larry Cohen shooting Harlem guerrilla-style. James Brown scores it.

Poster for Cleopatra Jones

Cleopatra Jones

1973 · USA · 89m
Obscurity: cult. watchable legally

Tamara Dobson, six feet two, government agent. Shelley Winters overacts gloriously.

Poster for Black Belt Jones

Black Belt Jones

1974 · USA · 87m
Obscurity: cult. watchable legally

Jim Kelly karate-chops the mob to save a Watts dojo. Blaxploitation meets kung fu, joyfully.

Poster for Hell Up in Harlem

Hell Up in Harlem

1973 · USA · 94m
Obscurity: cult. watchable legally

Larry Cohen's weekend sequel to Black Caesar, rougher and more berserk than the original.

Poster for Black Mama White Mama

Black Mama White Mama

1973 · USA · 87m
Obscurity: cult. watchable legally

The Defiant Ones with Pam Grier, shot in the Philippines by a Filipino who actually knew the terrain.

Poster for Cotton Comes to Harlem

Cotton Comes to Harlem

1970 · USA · 97m
Obscurity: cult. watchable legally

Two Harlem detectives chase a stolen fortune hidden in a bale of cotton. The one that opened the door.