Macon County Line
One of the most profitable independents ever made. Nastier than its reputation.
Moonshine, backroads, and city people who took a wrong turn. The American South as a horror setting.
Two strands sharing a setting and almost nothing else.
Southern car-and-moonshine comedies: White Lightning, Moonrunners, drive-in staples that eventually turned into Smokey and the Bandit, then The Dukes of Hazzard, then nothing resembling exploitation at all.
Backwoods horror, where urban outsiders enter rural America and are destroyed by it. Deliverance (1972) is the respectable ancestor. The Texas Chain Saw Massacre (1974) and The Hills Have Eyes (1977) are the cycle proper.
Poverty itself is the monster in most of these, and they were made largely by outsiders for audiences outside the region. That sits uncomfortably in films which are, in several cases, very well made.
One of the most profitable independents ever made. Nastier than its reputation.
The Canadian Deliverance, and grimmer than the nickname promises.
Jack Hill's first, Lon Chaney Jr's last good role. Very odd and very fond.
Trucker versus the cartel. Earnest, blue-collar, better than expected.
Burt Reynolds, moonshine, and the blueprint for a decade of Southern comedy.
H.G. Lewis, a Southern town, and gore effects that predate everyone.
One sheriff, one hickory club, and the blueprint for every Southern vigilante picture after it.
Craven's meanest. The suburban family turn out to be the better killers.
The respectable ancestor of the whole backwoods cycle, and still the best of it.
Almost bloodless, and still the most upsetting film here. The heat is the horror.