Black Sunday
Bava's debut as director. Barbara Steele and a mask full of spikes.
The graduate course after the giallo: cobwebbed castles and a dead woman who will not stay buried, lit by Bava like nobody since.
Bava's debut as director. Barbara Steele and a mask full of spikes.
Three stories, one Karloff. The Wurdulak segment is the best thing Bava shot.
A ghost child with a white ball. Fellini and Scorsese both stole from it.
Bava and Christopher Lee doing sadomasochism the censors did not catch.
Barbara Steele in a haunted house on a bet. Better than it sounds.
Barbara Steele married to a necrophile surgeon, and Freda smuggling it past the 1962 censors on innuendo alone.
Bava's most personal film, and his strangest. Telly Savalas as the devil, holding a lollipop.
Delphine Seyrig as Bathory in an empty Ostend hotel. Genuinely elegant.