Milano calibro 9
1972 · Italy · 102m
Di Leo's masterpiece. Cold, fast, well written.
Italian cops who close cases by ignoring the courts and the paperwork. Start at the top, before the moustaches blur together.
Di Leo's masterpiece. Cold, fast, well written.
Tomas Milian as a repellent psychopath. Deeply unpleasant, very good.
Mario Adorf on foot versus a car. Best chase in Italian cinema.
Castellari's best. The car-rolling-down-the-hill shot is famous for a reason.
Di Leo's saddest. Oliver Reed, and a Morricone theme that hurts.
Merli takes his no-mercy cop routine to Naples. Fast, brutal, and politically incoherent as ever.
Castellari's Death Wish. An ordinary engineer, brutalised and ignored, arms himself.
Late-cycle Castellari. Everyone is exhausted and it shows productively.