
- Year
- 1974
- Country
- Italy
- Runtime
- 99 min
- Director
- Umberto Lenzi
- Updated
- 10 Aug 2026
- Obscurity
- cult (44/100)
- Also known as
- The Death Dealer · The Kidnap of Mary Lou
Almost Human
Tomas Milian as a repellent psychopath. Deeply unpleasant, very good.
Tomas Milian gives one of the genre's great performances as a small-time criminal too unstable and vicious for organised crime, whose kidnapping scheme spirals into pure sadism. It is a unpleasant film about a repellent man, and that is the point.
Umberto Lenzi refuses to make him charming, and the cop hunting him (Henry Silva) is almost beside the point next to Milian's twitching, cruel creation. The violence is nasty and the film does not flinch.
Deeply uncomfortable and very well acted. Not a good time, a strong film.
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Written about
- Poliziotteschi: the Italian cop film, 1973 to 1980
A moustache, a Magnum, and total contempt for the courts.
Filed alongside
Cops vs. Thugs
Fukasaku again, arguing the two categories in the title are the same.
Free Hand for a Tough Cop
Tomas Milian debuts Er Monnezza, the filthiest man in Italian crime cinema, and steals his own movie.
The Cynic, the Rat and the Fist
Late-cycle Castellari. Everyone is exhausted and it shows productively.
Violent Naples
Merli takes his no-mercy cop routine to Naples. Fast, brutal, and politically incoherent as ever.
The Violent Professionals
Martino sends Luc Merenda undercover and off the leash. Prime cop-on-a-rampage stuff.
Shoot First, Die Later
Di Leo's dirty-cop picture, and the rot goes all the way home.