
- Year
- 1971
- Country
- France · Italy
- Runtime
- 104 min
- Director
- Dario Argento
- Updated
- 10 Aug 2026
- Obscurity
- known (23/100)
Four Flies on Grey Velvet
Argento's third. Unavailable for decades, and worth the wait for the last shot.
The third of Argento's early animal-titled gialli, unavailable for decades due to rights problems and worth the wait mostly for its ideas. A drummer is stalked and framed by a blackmailer, and the film hangs on a bit of pseudo-science about the last image on a dead retina.
It is minor Argento, baggy and uneven, but it has flashes of what was coming: a decapitation shot in extreme slow motion, a bleak final image. Ennio Morricone scored it, and the two fell out afterward for years.
For completists first, but the good moments are very good.
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Written about
- The giallo, 1963 to 1976
A line of yellow paperbacks, a killer in black gloves, and Mario Bava building the American slasher a decade before Hollywood cashed the cheque.
Filed alongside
Death Walks at Midnight
Ercoli's brighter, faster Death Walks. Nieves Navarro sees a murder and nobody buys it.
The Fifth Cord
The best-looking giallo nobody names, shot by Storaro between two Bertoluccis.
The Perfume of the Lady in Black
Barely a murder mystery. A slow psychological collapse, and superb.
Death Walks on High Heels
Ercoli's best. Structurally cleverer than most of the cycle.
The Night Evelyn Came Out of the Grave
A widower lures redheads to his castle to get over his dead wife. Nonsense plot, glorious mood.
Short Night of Glass Dolls
Narrated by a paralysed man presumed dead. Unusual and very good.