
- Year
- 1968
- Country
- Japan
- Runtime
- 84 min
- Director
- Hajime Sato
- Updated
- 9 Aug 2026
- Obscurity
- cult (51/100)
- Also known as
- Body Snatcher from Hell · Goke, Bodysnatcher from Hell
Goke, Body Snatcher from Hell
Bleeding skies, a forehead-splitting alien, and an ending with no comfort in it whatsoever.
A passenger jet full of thoroughly unpleasant people goes down in a wasteland under a blood-red sky, and the survivors soon discover they are not alone. A silver alien slime called Gokemidoro slips into a body through a gash in the forehead and starts turning people into blood-drinking husks, and the film uses the setup to be as bleak about the human race as a genre film can manage. Shochiku shot it in 1968 as their strangest stab at horror, and Tarantino lifted the bleeding-sky shot wholesale for the opening of Kill Bill. It is Cold War despair dressed as a monster movie, and the final image is one of the most pitiless in Japanese genre cinema.
Trailer
The numbers
Nobody has rated this yet. Be the first to make a claim you'll have to defend.
Your call
Where to watch
Legal options in USA
Links open in a new tab (↗). Availability data via TMDB and changes constantly, so confirm on the service. Legal options only. Checked 9 Aug 2026. All options ↗
Discuss with AI
Open a chatbot with a question about this film already typed out. Useful for a second opinion, plot detail, or where to find a copy.
Filed alongside
Matango
Honda's mushroom-people film. Far bleaker than anything else Toho made.
Gamera, the Giant Monster
Daiei's cut-price answer to Godzilla. A flying turtle. Children loved it.
War of the Gargantuas
Two giant humanoid brothers, one good, one savage, tear up Japan. Weirdly beloved, and Brad Pitt's favourite.
Rodan
Toho's first colour kaiju. A supersonic pterosaur levels a city with its wingblasts.
Mothra
The most charming of Toho's roster, and openly anti-colonial about it.
Destroy All Monsters
Eleven monsters, no restraint. Honda cashing every chip at once.