Kaiju & tokusatsu

1954–1980 · 11 films catalogued

Japanese monster and effects cinema. Suits, miniatures, and a postwar wound underneath.

Kaiju means strange beast. Tokusatsu means special filming. Together they cover Japanese monster films and the practical effects tradition that produced them.

Where it starts

Godzilla (1954) does not belong on this site's usual shelf. It is a sober film about nuclear annihilation, released nine years after Hiroshima and eight months after American testing at Bikini irradiated the crew of the Lucky Dragon 5. Ishirō Honda meant every frame of it.

What followed

Sequels aimed at children, Toho's expanding monster roster, Daiei's cut-price Gamera films, and the hero shows that turned tokusatsu into a television industry.

Eiji Tsuburaya's suit-and-miniature work is the through line. It looks handmade now, which is much more appealing than the CGI that replaced it.

Where to start

Godzilla (1954), in Japanese, not the recut American version with Raymond Burr. Then Matango for how dark Honda could go.

Where to start

All 11
Poster for Matango▶ watchcult

Matango

1963 · Japan · 89m

Honda's mushroom-people film. Far bleaker than anything else Toho made.

Poster for Rodan▶ watchknown

Rodan

1956 · Japan · 72m

Toho's first colour kaiju. A supersonic pterosaur levels a city with its wingblasts.

Poster for Mothra▶ watchknown

Mothra

1961 · Japan · 101m

The most charming of Toho's roster, and openly anti-colonial about it.

Poster for Godzilla▶ watchcanon

Godzilla

1954 · Japan · 96m

Not a monster romp. A sober film about nuclear annihilation, made nine years after.