
- Year
- 1970
- Country
- Italy
- Runtime
- 96 min
- Director
- Dario Argento
- Updated
- 10 Aug 2026
- Obscurity
- known (16/100)
- Also known as
- The Phantom of Terror · Point of Terror
The Bird with the Crystal Plumage
Argento's debut, and the film that made the giallo an export.
Argento's first film as director, and the giallo template arrives almost fully formed. An American writer in Rome watches an attack through a gallery window, becomes convinced he saw something he cannot place, and spends the film failing to remember it correctly.
The killer's black gloves, the tourist who sees too much, the trauma explained too late: it is all here, shot by Vittorio Storaro before he was Vittorio Storaro. Morricone provides the lullaby that will not leave you.
Not his best, but the one everything else grew out of.
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Written about
- The giallo, 1963 to 1976
A line of yellow paperbacks, a killer in black gloves, and Mario Bava building the American slasher a decade before Hollywood cashed the cheque.
Filed alongside
Death Walks at Midnight
Ercoli's brighter, faster Death Walks. Nieves Navarro sees a murder and nobody buys it.
The Fifth Cord
The best-looking giallo nobody names, shot by Storaro between two Bertoluccis.
The Perfume of the Lady in Black
Barely a murder mystery. A slow psychological collapse, and superb.
Death Walks on High Heels
Ercoli's best. Structurally cleverer than most of the cycle.
The Night Evelyn Came Out of the Grave
A widower lures redheads to his castle to get over his dead wife. Nonsense plot, glorious mood.
Short Night of Glass Dolls
Narrated by a paralysed man presumed dead. Unusual and very good.