
- Year
- 1974
- Country
- Spain
- Runtime
- 85 min
- Director
- Amando de Ossorio
- Updated
- 9 Aug 2026
- Obscurity
- cult (54/100)
- Also known as
- The Night the Screaming Stopped · Grasp of the Lorelei · The Loreley's Grasp · The Lorelei's Grasp · When the Screaming Stops
The Loreley's Grasp
A Rhine myth relocated to Spain, with a monster that only works in long shot.
A German river myth relocated to Spain, in which the Lorelei, a beautiful woman who becomes a reptilian monster by night, drains the blood of victims near a castle, and a hunter is hired to stop her. Amando de Ossorio, of the Blind Dead films, directs, and the monster works best in the long shots that hide the costume.
It is lurid, atmospheric gothic with de Ossorio's usual eye for the eerie, undermined slightly by a creature that does not survive close inspection. The mix of Germanic legend and Spanish horror is characteristic of the cycle's magpie approach.
Second-tier fantaterror, but with real atmosphere when the monster stays in shadow.
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Written about
- Fantaterror: the Spanish horror boom, 1968 to 1976
Two cuts of every film, one for the censor in Madrid and one for the drive-in. Democracy killed the trick in two years.
Filed alongside
Horror Rises from the Tomb
A decapitated warlock's head, still working. Naschy wrote it himself.
Night of the Seagulls
The Blind Dead ride out one last time. A quiet, sad closer to Spain's best monster series.
The Werewolf Versus the Vampire Woman
Naschy's Waldemar Daninsky at his most enjoyable.
Return of the Evil Dead
Blind Dead again, this time besieging a whole village. The best of the four.
The Blood Spattered Bride
Spanish Carmilla adaptation with an unusually pointed anger about marriage.
Tombs of the Blind Dead
Eyeless Templars on skeletal horses in slow motion. Best monster design of the 70s.