
- Year
- 1973
- Country
- Spain
- Runtime
- 88 min
- Director
- Carlos Aured
- Updated
- 9 Aug 2026
- Obscurity
- obscure (59/100)
Horror Rises from the Tomb
A decapitated warlock's head, still working. Naschy wrote it himself.
Paul Naschy plays a medieval warlock, beheaded for his crimes, whose severed head is revived centuries later to possess his descendant and resume his reign of terror. Naschy, naturally, also plays the descendant, and wrote the whole thing himself. It is one of his most atmospheric and blood-soaked vehicles.
The disembodied-head-directing-evil premise is pure gothic pulp, and Naschy commits to it completely, doubling as hero and villain. The Spanish countryside stands in for a suitably doomy nowhere.
Naschy at his most enjoyable, and a good example of the fantaterror boom.
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Written about
- Fantaterror: the Spanish horror boom, 1968 to 1976
Two cuts of every film, one for the censor in Madrid and one for the drive-in. Democracy killed the trick in two years.
Filed alongside
The Loreley's Grasp
A Rhine myth relocated to Spain, with a monster that only works in long shot.
Night of the Seagulls
The Blind Dead ride out one last time. A quiet, sad closer to Spain's best monster series.
The Werewolf Versus the Vampire Woman
Naschy's Waldemar Daninsky at his most enjoyable.
Return of the Evil Dead
Blind Dead again, this time besieging a whole village. The best of the four.
The Blood Spattered Bride
Spanish Carmilla adaptation with an unusually pointed anger about marriage.
Tombs of the Blind Dead
Eyeless Templars on skeletal horses in slow motion. Best monster design of the 70s.