Tombs of the Blind Dead
Eyeless Templars on skeletal horses in slow motion. Best monster design of the 70s.
Shot twice, dressed for the Madrid censor and naked for the drive-in. The blind Templars on skeletal horses are still the best monster on the shelf.
Eyeless Templars on skeletal horses in slow motion. Best monster design of the 70s.
Naschy's Waldemar Daninsky at his most enjoyable.
A decapitated warlock's head, still working. Naschy wrote it himself.
Franco's most watchable. The soundtrack outlived the film by decades.
Spanish Carmilla adaptation with an unusually pointed anger about marriage.
Spanish, sun-bleached, upsetting. The opening newsreel is a hard sell.
Blind Dead again, this time besieging a whole village. The best of the four.
The Blind Dead ride out one last time. A quiet, sad closer to Spain's best monster series.
Spanish-Italian, shot in England, and much smarter than its stablemates.