
- Year
- 1974
- Country
- Canada
- Runtime
- 98 min
- Director
- Bob Clark
- Updated
- 10 Aug 2026
- Obscurity
- canon (13/100)
- Also known as
- Silent Night Evil Night · Stranger in the House · Noël tragique
Black Christmas
Predates Halloween and is scarier. The phone calls still work.
It predates Halloween by four years and is scarier. A sorority house is terrorised over the holidays by obscene phone calls and a killer already inside, and Bob Clark keeps the murderer almost entirely unseen, a POV, a voice, an eye through a door. The calls are still disturbing.
It establishes the slasher template, the holiday setting, the killer's-eye camera, the final girl, before the template existed, and its refusal to explain the killer is braver than almost anything that followed. Olivia Hussey and Margot Kidder anchor it.
The true origin of the slasher, and one of its best.
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Written about
- The giallo, 1963 to 1976
A line of yellow paperbacks, a killer in black gloves, and Mario Bava building the American slasher a decade before Hollywood cashed the cheque.
Filed alongside
Boardinghouse
The first shot-on-video horror feature, blown up to 35mm and just as ugly as that sounds.
Human Lanterns
A Shaw wuxia that turns into a slasher, with lanterns made of human skin.
Rituals
The Canadian Deliverance, and grimmer than the nickname promises.
The Toolbox Murders
A proto-slasher that front-loads its nastiness, then becomes a different and stranger film.
Pieces
Spanish, incoherent, and gleefully stupid. 'Bastard! Bastard!'
Tourist Trap
Mannequins that move, telekinesis, and a masked killer. Far stranger than a slasher should be.