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Slasher

1974–1989 · 28 films catalogued

The giallo, relocated to America and put to work on a holiday calendar.

A masked or unseen killer, a group of young people, a body count, a survivor.

The lineage

Peeping Tom and Psycho (1960), then the Italian giallo through the 1970s, then Bob Clark's Black Christmas (1974), then Halloween (1978). Halloween made $70 million on a $325,000 budget and started a gold rush. Friday the 13th (1980) industrialised it. By 1982 every holiday on the calendar had a film attached.

The Final Girl

Carol Clover's Men, Women and Chain Saws (1992) named a structure everyone had already noticed. The survivor is female, sexually reticent, often androgynously named (Ripley, Stretch, Laurie), and picks up the killer's weapon in the last act. Clover's larger argument, that the slasher's cross-gender identification is stranger than its reputation allows, is still the most useful writing on the form.

The collapse

Self-parody by 1989, revival by Scream in 1996.

Where to start

Black Christmas. It predates Halloween and it is scarier.

Slasher films on file

All 28 Slasher films →
Poster for Halloween

Halloween

1978 · USA · 92m
Obscurity: canon. watchable legally

$325,000 into $70 million, and every slasher after it is a photocopy.

Poster for Friday the 13th

Friday the 13th

1980 · USA · 91m
Obscurity: canon. watchable legally. banned somewhere

Cynical, derivative, and it industrialised the whole form. Savini's finest hour.

Poster for The Texas Chain Saw Massacre

The Texas Chain Saw Massacre

1974 · USA · 83m
Obscurity: canon. watchable legally. banned somewhere

Almost bloodless, and still the most upsetting film here. The heat is the horror.

Poster for Black Christmas

Black Christmas

1974 · Canada · 98m
Obscurity: canon. watchable legally

Predates Halloween and is scarier. The phone calls still work.

Poster for A Bay of Blood

A Bay of Blood

1971 · Italy · 84m
Obscurity: known. watchable legally. banned somewhere

Bava invents the slasher a decade early. Friday the 13th copied two kills outright.

Poster for High Tension

High Tension

2003 · France · 87m
Obscurity: known. watchable legally

Aja before Hollywood, at maximum brutality, with a twist that still starts fights.

Poster for Maniac Cop

Maniac Cop

1988 · USA · 81m
Obscurity: known. watchable legally

A dead cop stalks New York in uniform. Larry Cohen writes, Robert Z'Dar's jaw does the rest.

Poster for Prom Night

Prom Night

1980 · Canada · 91m
Obscurity: known. watchable legally. banned somewhere

Jamie Lee Curtis, a masked killer, and a decade-old secret. Halloween cashes in, disco included.

Poster for Silent Night, Deadly Night

Silent Night, Deadly Night

1984 · USA · 79m
Obscurity: known. watchable legally

The killer-Santa movie that got itself run out of cinemas in a week.

Poster for Happy Birthday to Me

Happy Birthday to Me

1981 · Canada · 110m
Obscurity: known. watchable legally

A prestige director slumming in the glut, and a poster more famous than the film.

Poster for My Bloody Valentine

My Bloody Valentine

1981 · Canada · 87m
Obscurity: known. watchable legally

Canadian, mine-set, unusually well shot. The censored cut ruined it for decades.

Poster for The Burning

The Burning

1981 · Canada/USA · 91m
Obscurity: known. watchable legally. banned somewhere

The raft scene is the best kill in any slasher. The rest is fine.

Poster for Sleepaway Camp

Sleepaway Camp

1983 · USA · 81m
Obscurity: known. watchable legally

Ninety minutes of nothing, then an ending nobody who has seen it forgets.

Poster for The Prowler

The Prowler

1981 · USA · 89m
Obscurity: known. watchable legally. banned somewhere

A killer in WWII combat gear stalks a graduation dance. Savini's best gore work.

Poster for Alice, Sweet Alice

Alice, Sweet Alice

1976 · USA · 98m
Obscurity: known. watchable legally

American giallo in Catholic New Jersey. Genuinely disturbing and well acted.

Poster for Maniac

Maniac

1980 · USA · 88m
Obscurity: known. watchable legally. banned somewhere

Savini's effects, Spinell's performance, and a very bleak little film.

Poster for Terror Train

Terror Train

1980 · Canada · 97m
Obscurity: known. watchable legally

A costume party on a moving train, a killer swapping disguises, and Jamie Lee Curtis again.

Poster for The Funhouse

The Funhouse

1981 · USA · 96m
Obscurity: known. watchable legally. banned somewhere

Tobe Hooper does a carnival slasher. A deformed killer, a hall of mirrors, and real dread.

Poster for StageFright

StageFright

1987 · Italy · 90m
Obscurity: known. watchable legally

A killer in a giant owl mask, a locked theatre, and Soavi announcing himself.

Poster for The Slumber Party Massacre

The Slumber Party Massacre

1982 · USA · 77m
Obscurity: known. watchable legally

Written as satire, shot straight, and stranger than either choice on its own.

Poster for Hell Night

Hell Night

1981 · USA · 101m
Obscurity: cult. watchable legally

Linda Blair, a frat hazing, an old dark house. Atmosphere over arterial spray, and better for it.

Poster for Tales from the Crypt

Tales from the Crypt

1972 · UK/USA · 92m
Obscurity: cult. watchable legally

The best Amicus omnibus, and Joan Collins versus a killer Santa two years before Black Christmas.

Poster for Tourist Trap

Tourist Trap

1979 · USA · 90m
Obscurity: cult. watchable legally

Mannequins that move, telekinesis, and a masked killer. Far stranger than a slasher should be.

Poster for Pieces

Pieces

1982 · Spain · 90m
Obscurity: cult. watchable legally

Spanish, incoherent, and gleefully stupid. 'Bastard! Bastard!'