The Dead Eyes of London
The Dead Eyes of London is a 1961 film from West Germany, directed by Alfred Vohrer, running 95 minutes. reelscum files it under krimi.

- Year
- 1961 · 1960s films
- Country
- West Germany
- Runtime
- 95 min
- Director
- Alfred Vohrer
- Updated
- 29 Oct 2026
- Obscurity
- cult (47/100)
- Also known as
- Dead Eyes of London
Defined in the glossary: Krimi
Blind killers, insurance fraud, and the best fog in the series.
One of the strongest krimis, a remake of a 1930s British thriller about blind killers, an insurance scam and a sinister home for the blind whose director is not what he seems. The fog is thick, the atmosphere creepy, and the use of blindness as a threat is unusually effective.
It is among the more frightening entries in the cycle, closer to horror than the lighter mysteries, and the imagery of the sightless killers lingers. Klaus Kinski appears, as ever.
One of the best-regarded krimis, and a eerie watch.
The numbers
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Where to watch
Legal options in West Germany (nearest we have)
Links open in a new tab (↗). Availability data via TMDB and changes constantly, so confirm on the service. Legal options only. Checked 8 Nov 2026. All options ↗
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On these lists
- Krimi: the German pulp thrillers
West Germany filmed most of Edgar Wallace in fog, with a hooded killer and a wildly overqualified cast. Comfort food with a body count.
Filed alongside
The Inn on the River
The Rialto Wallace machine at full tilt: fog, a harpoon and Klaus Kinski looking guilty.
The Fellowship of the Frog
The first Rialto Wallace krimi, and the reason the other thirty exist.
The Creature with the Blue Hand
Kinski playing both twins and a killer's claw that snaps shut like a bear trap. The krimi going out swinging.
The Sinister Monk
A whip-wielding monk killing heiresses. Closest the krimi got to giallo.
The Black Abbot
The standard-issue Wallace krimi. Hood, abbey, inheritance, fog.
The Indian Scarf
Ten heirs in a Scottish castle, strangled one at a time. Kinski included.
The College Girl Murders
The point where the black-and-white krimi tips over into full-colour giallo delirium.
The Girl Who Knew Too Much
The one usually called the first giallo. Still half a krimi.