
- Year
- 1963
- Country
- West Germany
- Runtime
- 86 min
- Director
- Alfred Vohrer
- Updated
- 9 Aug 2026
- Obscurity
- cult (41/100)
The Indian Scarf
Ten heirs in a Scottish castle, strangled one at a time. Kinski included.
Ten heirs are summoned to a remote Scottish castle to hear a will, on the condition they stay the night, and are strangled one by one with the silk scarf of the title. It is And Then There Were None by way of Edgar Wallace, and one of the more purely enjoyable krimis for its ruthless picking-off structure.
Klaus Kinski is among the suspects, the castle setting is atmospheric, and the whodunit is played straight. The isolated-guests-murdered-in-sequence format is a direct precursor to countless later thrillers.
Tight, gloomy and satisfying. A good example of the cycle's pleasures.
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Filed alongside
The Sinister Monk
A whip-wielding monk killing heiresses. Closest the krimi got to giallo.
The Black Abbot
The standard-issue Wallace krimi. Hood, abbey, inheritance, fog.
The Inn on the River
The Rialto Wallace machine at full tilt: fog, a harpoon and Klaus Kinski looking guilty.
The Dead Eyes of London
Blind killers, insurance fraud, and the best fog in the series.
The Creature with the Blue Hand
Kinski playing both twins and a killer's claw that snaps shut like a bear trap. The krimi going out swinging.
The Fellowship of the Frog
The first Rialto Wallace krimi, and the reason the other thirty exist.