
- Year
- 1965
- Country
- West Germany
- Runtime
- 87 min
- Director
- Harald Reinl
- Updated
- 9 Aug 2026
- Obscurity
- cult (51/100)
The Sinister Monk
A whip-wielding monk killing heiresses. Closest the krimi got to giallo.
One of the krimis that most resembles what Italy would do next. A whip-wielding killer in monk's robes murders the heiresses standing between a hidden villain and a fortune, and the film has more overt sadism and a stronger central menace than the average Wallace adaptation.
The theatrical costume, the elaborate method and the inheritance plot are the direct ancestors of the giallo's black-gloved killers. Klaus Kinski, a krimi regular, lurks in the cast. It is one of the more lurid entries.
The missing link between the German krimi and the Italian giallo, in one film.
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Filed alongside
The Black Abbot
The standard-issue Wallace krimi. Hood, abbey, inheritance, fog.
The Inn on the River
The Rialto Wallace machine at full tilt: fog, a harpoon and Klaus Kinski looking guilty.
The Dead Eyes of London
Blind killers, insurance fraud, and the best fog in the series.
The Creature with the Blue Hand
Kinski playing both twins and a killer's claw that snaps shut like a bear trap. The krimi going out swinging.
The Fellowship of the Frog
The first Rialto Wallace krimi, and the reason the other thirty exist.
The Indian Scarf
Ten heirs in a Scottish castle, strangled one at a time. Kinski included.