Werewolves on Wheels
Exactly what it says, at half the pace you want.
AIP's outlaw cycle. Started with a news story, ended when the counterculture stopped selling.
American International Pictures noticed the Hells Angels were in the papers and made The Wild Angels (1966) with Peter Fonda for $360,000. It took over $5 million, and American drive-ins ran on motorcycle films for six years.
The formula: a club, a town that does not want them, an act of violence, a funeral. Real outlaw clubs were often hired as extras and occasionally as security, with predictable results.
The cycle paid for Easy Rider (1969), same producer, same star, same economics. Easy Rider then killed it by proving the audience would pay for something better made.
Exactly what it says, at half the pace you want.
Al Adamson's grimiest, shot partly where the Manson family was living.
Zombie bikers, toad worship and George Sanders' last film. As English as horror gets.
Jonathan Demme's first script, produced by Corman. Rashomon on bikes.
Australia's outlaw-biker scripture. Mad Max drank from this tank.
The first Billy Jack film, and much nastier than the sequels.
The biker cycle's Jack Nicholson entry, shot by Laszlo Kovacs and a cut above the AIP norm.
Corman starts the cycle. Peter Fonda, real Hells Angels, and a funeral.
Brando's motorcycle gang takes over a town. The film that invented teenage cool and terrified parents.