Santo and Blue Demon vs. the Monsters
Every monster at once, all of them on a budget of nothing. Delightful.
reelscum catalogues 13 exploitation films credited to Mexico. They were released between 1957 and 1989. The subgenres that appear most often are Luchador (5 films), Euro-gothic (4 films) and Acid & psychedelic (2 films).
The busiest decades in the catalogue are the 1960s (5), 1970s (4) and 1980s (3). Directors with more than one entry include Alejandro Jodorowsky (3).
Entries include Santo and Blue Demon vs. the Monsters (1970), Santo vs. the Martian Invasion (1967) and The Brainiac (1962). Each links to its own page with a verdict, rating axes and where to watch.
Every monster at once, all of them on a budget of nothing. Delightful.
Martians in togas demand Earth's surrender. Santo declines.
Not a Santo film. A forked-tongue demon eating brains with a spoon.
The Mexican gothic at its cobwebbed peak, Universal horror with the fog cranked up.
The best-shot Santo film. He wrestles twice for no reason at all.
Fulci does Conan through so much fog you can barely see the gore. Somehow that helps.
Mexico's caped vampire, fanged on screen a year before Hammer got there.
Mexican horror at the gore end: a gorilla-heart transplant, real surgery footage, and a masked lady wrestler.
Zombies that run and use guns, decades early. Incompetent in enjoyable ways.
The most hysterical nunsploitation film ever made. A convent, two possessed girls, and constant screaming.
Jodorowsky's late masterpiece. A circus, a cult, an armless mother, and her son's hands.
Jodorowsky's mystical, violent acid western. It essentially invented the midnight movie.
Jodorowsky's spiritual epic. Every frame is a blasphemous tableau, and it is dead serious.