House of Whipcord
Pete Walker builds a secret prison to punish the censors who wanted one. Sheila Keith is the nightmare.
reelscum catalogues 19 exploitation films credited to the UK. They were released between 1957 and 1980. The subgenres that appear most often are Euro-gothic (7 films), Occult & satanic panic (5 films) and Folk horror (4 films).
The busiest decades in the catalogue are the 1970s (12), 1960s (5) and 1950s (1). Directors with more than one entry include Freddie Francis (2) and Terence Fisher (2).
Entries include House of Whipcord (1974), Psychomania (1973) and Hawk the Slayer (1980). Each links to its own page with a verdict, rating axes and where to watch.
Pete Walker builds a secret prison to punish the censors who wanted one. Sheila Keith is the nightmare.
Zombie bikers, toad worship and George Sanders' last film. As English as horror gets.
Jack Palance chewing a fantasy kingdom to splinters while a sword flies about on wires. Beloved for it.
Cushing called it the worst film he ever made. He was being generous.
Two women lure travellers to a country house and drain them. British, bloody, erotic.
Franco doing the formula early, with Mercedes McCambridge as the warden.
The best Amicus omnibus, and Joan Collins versus a killer Santa two years before Black Christmas.
Saul Bass's only feature. Ants, geometry, and an ending nobody saw for 40 years.
A plough turns up a skull and a village falls apart. Coined the term.
Four Robert Bloch stories, Cushing and Lee on hand, and barely a drop of the title's blood.
Hammer's last gasp. Christopher Lee said it finished the studio off.
Hammer's best occult film. Lee as the hero for once, and enjoying it.
The film that invented the Amicus anthology, dealt out as tarot on a train.
Vincent Price with the camp removed. Reeves died at 25, a year later.
Hammer clocks that the censors have loosened and sends Ingrid Pitt to make the most of it.
A great film about power, finally restored after fifty-five years.
The film that built Hammer, in blood-red colour the censors hated.
Not exploitation, filed here by shelf-adjacency. One of Britain's best films.
Studio horror with a Goldsmith choir and four very memorable deaths.