Bamboo House of Dolls
Shaw Brothers takes on the WIP film. As strange a combination as it sounds.
reelscum catalogues 29 exploitation films credited to Hong Kong. They were released between 1966 and 1996. The subgenres that appear most often are Martial arts (22 films), Splatter (6 films) and Transgressive & midnight (5 films).
The busiest decades in the catalogue are the 1970s (16), 1990s (6) and 1980s (5). Directors with more than one entry include Lau Kar-leung (5), Chang Cheh (4) and Billy Tang (2).
Entries include Bamboo House of Dolls (1973), Human Lanterns (1982) and Dr. Lamb (1992). Each links to its own page with a verdict, rating axes and where to watch.
Shaw Brothers takes on the WIP film. As strange a combination as it sounds.
A Shaw wuxia that turns into a slasher, with lanterns made of human skin.
Simon Yam as the Rainy Night Butcher, fully off the leash. Cat III at its ugliest.
Ninety minutes of restrained Shaw revenge, then twenty of rotting-corpse insanity.
Black magic, exploding wizards, and a curse that turns a man's head into a penis. Cat III lost its mind.
Four men maimed by a tyrant learn to fight through their disabilities. Chang Cheh at his most inventive.
Chang Cheh spills more guts here than in any Shaw film before it, and grins the whole way.
A drunk man accidentally orders a hit on his own wife, and it is all downhill from there.
The most deranged thing Shaw Brothers ever paid for, and it never slows down to explain itself.
A prince and a thief, master and pupil in disguise. Lau Kar-leung's wittiest choreography.
Anthony Wong versus the world, armed with a virus and no impulse control.
Lau Kar-leung's revenge epic. A survivor spends years learning the one style that can beat the villain.
Jimmy Wang Yu invents the empty-hand kung fu film. No swords.
Chinese kung fu versus Japanese martial arts, as a marriage. Lau Kar-leung's most good-natured film.
Lau Kar-leung's brutal last great Shaw film. A massacred family, and pole fighting as grief.
Chang Cheh's oddest. Five styles, five masks, one whodunit.
The one that broke kung fu in America, months before Bruce Lee did.
A blind monk, a bladed hat on a chain, and a tournament. Perfect.
A live-action gore manga where nobody has heard of restraint or arterial pressure.
Jimmy Wang Yu wrecks Sydney, with hang-gliding and a man actually on fire. Peak crossover.
Anthony Wong won Best Actor for this. Then you find out what goes in the pork buns.
The film that made Shaw Brothers switch to male leads and stay there.
Three hours, a bamboo forest, and a Cannes prize. Barely exploitation.
King Hu, Cheng Pei-pei, and the template for every wuxia since.
The best training film ever made. Lau Kar-leung at the peak.
Jackie Chan finds the formula: comedy, pain, and visible competence.
The film Bruce Lee left unfinished, completed with a double, a cardboard cut-out, and his real funeral.
Bruce Lee kicks a 'No Dogs and Chinese' sign to splinters. The crowd never recovered.
Lee's first lead, and the star arrives fully formed.