Zero Woman: Red Handcuffs
Zero Woman: Red Handcuffs is a 1974 film from Japan, directed by Yukio Noda, running 84 minutes. reelscum files it under pinky violence.

- Year
- 1974 · 1970s films
- Country
- Japan
- Runtime
- 84 min
- Director
- Yukio Noda
- Updated
- 29 Oct 2026
- Obscurity
- obscure (59/100)
Defined in the glossary: Pinky violence
Toei's red-coated killer cop, and the blueprint for every lone avenging woman after her.
Toei looked at the avenging-woman boom it was already printing and pinned a badge on it. Miki Sugimoto plays Rei, the sole operative of a secret police division that cleans up the cases too dirty for arrests, sent out in a blood-red coat to commit the murders the state can pretend it never ordered. Yukio Noda keeps it lean and cruel, and Sugimoto plays the whole thing behind the unblinking stare the cycle ran on. It shares a decade and a temperament with Female Prisoner Scorpion and Lady Snowblood, and it is put together with the same unfussy skill. The red coat became an icon for a reason.
Trailer
The numbers
Nobody has rated this yet. Be the first to make a claim you'll have to defend.
Your call
Where to watch
Legal options in West Germany (nearest we have)
Links open in a new tab (↗). Availability data via TMDB and changes constantly, so confirm on the service. Legal options only. Checked 8 Nov 2026. All options ↗
Discuss with AI
Open a chatbot with a question about this film already typed out. Useful for a second opinion, plot detail, or where to find a copy.
The cycle in depth
- Pinku eiga and the rules that shaped it
Pinku eiga is a Japanese trade category for cheap independent sex features, sized for small theatres and shot to fit Eirin's rule on what a body may show.
- Meiko Kaji and the art of not blinking
Toei hired her to headline prison quickies. She built the most-copied performance in Japanese genre cinema out of about forty lines of dialogue.
Filed alongside
Horrors of Malformed Men
Suppressed by Toei for decades. Butoh dancing, an island, and total delirium.
Blind Beast
Masumura, one set, three actors, and an ending that goes much further than expected.
Female Prisoner Scorpion: Jailhouse 41
Ito's second, and the most formally daring film in the whole category.
Girl Boss Guerilla
Norifumi Suzuki at full speed. Reiko Ike is the whole show.
Terrifying Girls' High School: Lynch Law Classroom
The title is the pitch. Delivers on it with unusual formal care.
Female Prisoner Scorpion: Beast Stable
Ito's last. Kaji drags a severed arm through Tokyo in the opening minutes.
School of the Holy Beast
The Japanese entry, and formally the most accomplished of them.
Sex & Fury
The naked snow swordfight. Everyone remembers it; the rest is decent Meiji melodrama.
Stray Cat Rock: Sex Hunter
Meiko Kaji before Toei, leading a girl gang through Nikkatsu's coolest delinquent picture.
Female Prisoner 701: Scorpion
Sold as a women-in-prison quickie. Shot like an art film. Meiko Kaji barely blinks.
Lady Snowblood
Where Kill Bill got most of its ideas, including the snow.