Female Prisoner Scorpion: Beast Stable
Female Prisoner Scorpion: Beast Stable is a 1973 film from Japan, directed by Shunya Itō, running 87 minutes. reelscum files it under pinky violence and women in prison.
- Year
- 1973 · 1970s films
- Country
- Japan
- Runtime
- 87 min
- Director
- Shunya Itō
- Updated
- 29 Oct 2026
- Obscurity
- cult (51/100)
- Also known as
- Female Prisoner Scorpion Beast Stable
Defined in the glossary: Pinky violence, Women in prison
Ito's last. Kaji drags a severed arm through Tokyo in the opening minutes.
Ito's third and final Scorpion film opens with Nami severing a handcuffed detective's arm and dragging it through a train station, and only gets more intense from there. Hiding in the city among sex workers, she is hunted while the film explores the solidarity and cruelty among women at the bottom.
It is grimmer and more grounded than Jailhouse 41 but no less formally bold, and Meiko Kaji's near-silent fury reaches its peak. After this Ito left the series and it became ordinary immediately.
The end of the great Scorpion run, and further proof of what the cycle could do.
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The cycle in depth
- Pinku eiga and the rules that shaped it
Pinku eiga is a Japanese trade category for cheap independent sex features, sized for small theatres and shot to fit Eirin's rule on what a body may show.
- Meiko Kaji and the art of not blinking
Toei hired her to headline prison quickies. She built the most-copied performance in Japanese genre cinema out of about forty lines of dialogue.
Filed alongside
Female Prisoner Scorpion: Jailhouse 41
Ito's second, and the most formally daring film in the whole category.
Female Prisoner 701: Scorpion
Sold as a women-in-prison quickie. Shot like an art film. Meiko Kaji barely blinks.
School of the Holy Beast
The Japanese entry, and formally the most accomplished of them.
Love Camp 7
The film that invented nazisploitation six years before Ilsa made it a genre.
The Big Bird Cage
Funnier and better than the first. Sid Haig is having an excellent time.
Terrifying Girls' High School: Lynch Law Classroom
The title is the pitch. Delivers on it with unusual formal care.
Sex & Fury
The naked snow swordfight. Everyone remembers it; the rest is decent Meiji melodrama.
Blind Beast
Masumura, one set, three actors, and an ending that goes much further than expected.
Girl Boss Guerilla
Norifumi Suzuki at full speed. Reiko Ike is the whole show.
Women in Cages
Pam Grier as the sadist for once. Bleaker than its stablemates.
The Big Doll House
Jack Hill and Pam Grier invent the modern formula in the Philippines.
Barbed Wire Dolls
Jess Franco's contribution to the cycle. Cheap, delirious and utterly shameless, even for him.