Women in prison

1971–1986 · 16 films catalogued

The most rigid formula in exploitation cinema, and the most durable.

You can set your watch by the structure: a wrongly convicted newcomer, a sadistic warden, a corrupt doctor, a shower, a solidarity plot, a riot, an escape.

The economics

Roger Corman built the modern version. The Big Doll House (1971) and The Big Bird Cage (1972), both shot in the Philippines by Jack Hill with Pam Grier, set the template and its budget. Filipino production was cheap, the jungle could stand in for anywhere, and a New World picture could turn a profit before it left the drive-in circuit.

It globalised immediately: Italy produced Women's Prison Massacre, Japan produced the Scorpion films, and America produced a long direct-to-video tail through the 1980s.

What is defensible

Not much, formally. What the good ones have, The Big Bird Cage and the Ito Scorpion films, is a willingness to make the guards the villains and let the prisoners win.

Where to start

All 16
Poster for Barbed Wire Dollscult

Barbed Wire Dolls

1976 · CH · 81m

Jess Franco's contribution to the cycle. Cheap, delirious and utterly shameless, even for him.

Poster for Chained Heatcult

Chained Heat

1983 · USA/West Germany · 99m

Linda Blair goes to prison. A sleazy 80s update of the formula, with a corrupt warden and a hot tub.