Bamboo House of Dolls
Shaw Brothers takes on the WIP film. As strange a combination as it sounds.
479 entries. Curated, not exhaustive. A short shelf of things worth knowing about beats a long one nobody can navigate.
Shaw Brothers takes on the WIP film. As strange a combination as it sounds.
Brazil's Boca do Lixo does women-in-prison with everything the drive-in cut left out.
Pete Walker builds a secret prison to punish the censors who wanted one. Sheila Keith is the nightmare.
Ito's second, and the most formally daring film in the whole category.
Pam Grier as the sadist for once. Bleaker than its stablemates.
Ito's last. Kaji drags a severed arm through Tokyo in the opening minutes.
The film that invented nazisploitation six years before Ilsa made it a genre.
Funnier and better than the first. Sid Haig is having an excellent time.
Jess Franco's contribution to the cycle. Cheap, delirious and utterly shameless, even for him.
Linda Blair goes to prison. A sleazy 80s update of the formula, with a corrupt warden and a hot tub.
The women-in-prison film as its own punchline, fronted by the lead singer of the Plasmatics.
Jack Hill and Pam Grier invent the modern formula in the Philippines.
Sold as a women-in-prison quickie. Shot like an art film. Meiko Kaji barely blinks.
The Defiant Ones with Pam Grier, shot in the Philippines by a Filipino who actually knew the terrain.
Late Italian entry. Laura Gemser, and a body count instead of a plot.
Franco doing the formula early, with Mercedes McCambridge as the warden.
Same Ilsa, new empire. The harem keeps the whip, loses the swastika.
Jonathan Demme's debut, and it is visibly a Jonathan Demme film.
Shot on the leftover Hogan's Heroes set. Nothing here is defensible; it's catalogued, not recommended.