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479 entries. Curated, not exhaustive. A short shelf of things worth knowing about beats a long one nobody can navigate.

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46 results · page 2 of 2

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The House That Dripped Blood

1971 · UK · 102m

Four Robert Bloch stories, Cushing and Lee on hand, and barely a drop of the title's blood.

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The Whip and the Body

1963 · Italy/France · 87m

Bava and Christopher Lee doing sadomasochism the censors did not catch.

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Dr. Terror's House of Horrors

1965 · UK · 98m

The film that invented the Amicus anthology, dealt out as tarot on a train.

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Hercules in the Haunted World

1961 · Italy · 86m

Bava shoots Hades in gel colours. Looks like nothing else in the cycle.

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Black Sabbath

1963 · Italy/France · 95m

Three stories, one Karloff. The Wurdulak segment is the best thing Bava shot.

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The Vampire Lovers

1970 · UK · 91m

Hammer clocks that the censors have loosened and sends Ingrid Pitt to make the most of it.

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Vampyros Lesbos

1971 · West Germany/Spain · 90m

Franco's most watchable. The soundtrack outlived the film by decades.

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Inferno

1980 · Italy · 107m

Argento's sequel to Suspiria. Even less plot, even more colour. A building that is alive.

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Black Sunday

1960 · Italy · 86m

Bava's debut as director. Barbara Steele and a mask full of spikes.

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The Curse of Frankenstein

1957 · UK · 83m

The film that built Hammer, in blood-red colour the censors hated.