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Spaghetti western

1964–1978 · 24 films catalogued

Italian westerns shot in Spain. Dirtier, louder, and more cynical than the American kind.

Around six hundred westerns made by Italian companies between 1964 and the late 1970s, shot mostly in Almería in southern Spain, with international casts dubbed in post.

Where it started

Sergio Leone's A Fistful of Dollars (1964) is an unlicensed remake of Kurosawa's Yojimbo, which Toho successfully sued over. It cost very little and made a fortune.

What changed

The American western had heroes. The Italian one has men who want money. Violence is ugly and frequent, the church and the state are corrupt as a matter of course, and the landscape is dust rather than monument valley grandeur.

Ennio Morricone did the other half of the work. Morricone's scores are half the reason several of these films are remembered at all.

The political wing

The Zapata westerns, A Bullet for the General, Companeros, Duck, You Sucker, moved the setting to the Mexican Revolution and made the politics explicit. Sergio Corbucci's Django (1966) and The Great Silence (1968) are the bleakest things in the cycle. The Great Silence ends in a way no American studio would have permitted.

Where to start

The Good, the Bad and the Ugly if you have somehow not. The Great Silence if you have.

Spaghetti western films on file

All 24 Spaghetti western films →
Poster for A Fistful of Dollars

A Fistful of Dollars

1964 · Italy/Spain · 99m
Obscurity: canon. watchable legally

An unlicensed Yojimbo remake. Toho sued and won. Started everything.

Poster for For a Few Dollars More

For a Few Dollars More

1965 · Italy/West Germany · 132m
Obscurity: canon. watchable legally

Van Cleef arrives and the formula locks into place.

Poster for Once Upon a Time in the West

Once Upon a Time in the West

1968 · Italy/USA · 165m
Obscurity: canon. watchable legally

Fonda cast against type as a child killer. Leone's masterpiece.

Poster for The Good, the Bad and the Ugly

The Good, the Bad and the Ugly

1966 · Italy/Spain · 174m
Obscurity: canon. watchable legally

The cemetery sequence is the best three minutes in the genre.

Poster for Duck, You Sucker

Duck, You Sucker

1971 · Italy · 157m
Obscurity: canon. watchable legally

Leone's revolution film. A Mexican bandit and an IRA dynamiter blow up the establishment together.

Poster for Django

Django

1966 · Spain/Italy · 90m
Obscurity: canon. watchable legally

A coffin, a machine gun, and mud everywhere. Banned in Britain until 1993.

Poster for They Call Me Trinity

They Call Me Trinity

1970 · Italy · 110m
Obscurity: canon. watchable legally

The comedy turn that ended the cycle by making it impossible to take seriously.

Poster for My Name Is Nobody

My Name Is Nobody

1973 · Italy/France · 116m
Obscurity: known. watchable legally

The spaghetti western attends its own funeral, cracking jokes. Fonda, Terence Hill, and Leone's fingerprints everywhere.

Poster for Sabata

Sabata

1969 · Italy · 111m
Obscurity: known. watchable legally

A gadget-toting gunfighter blackmails a whole town. Lee Van Cleef, having an obvious blast.

Poster for Death Rides a Horse

Death Rides a Horse

1967 · Italy · 120m
Obscurity: known. watchable legally

Revenge, Van Cleef, and a score Tarantino lifted wholesale.

Poster for El Topo

El Topo

1970 · Mexico · 125m
Obscurity: known. watchable legally

Jodorowsky's mystical, violent acid western. It essentially invented the midnight movie.

Poster for A Bullet for the General

A Bullet for the General

1967 · Italy · 118m
Obscurity: known. watchable legally

The most openly political of the Zapata cycle, and the sharpest.

Poster for The Great Silence

The Great Silence

1968 · France/Italy · 105m
Obscurity: known. watchable legally

Corbucci in the snow. The ending would never have cleared an American studio.

Poster for Keoma

Keoma

1976 · Italy · 97m
Obscurity: known. watchable legally

Late, strange, half-sung by a folk narrator. Castellari's best film.

Poster for Companeros

Companeros

1970 · Italy/Spain · 115m
Obscurity: known. watchable legally

Zapata western with Franco Nero and a very good Morricone theme.

Poster for Day of Anger

Day of Anger

1967 · Italy/West Germany · 114m
Obscurity: known. watchable legally

A gunfighter mentors a despised young man, then has to face what he created. Van Cleef at his best.

Poster for Face to Face

Face to Face

1967 · Spain/Italy · 112m
Obscurity: known

Sollima's smartest western: watch a decent man discover he likes it.

Poster for The Mercenary

The Mercenary

1968 · Spain/Italy · 107m
Obscurity: known. watchable legally

Corbucci's Zapata western. A Polish gun-for-hire, a peasant revolutionary, and Jack Palance in a frock.

Poster for The Big Gundown

The Big Gundown

1966 · Italy/Spain · 110m
Obscurity: known. watchable legally

Sollima's best. A manhunt that keeps turning into a political argument.

Poster for Django Kill... If You Live, Shoot!

Django Kill... If You Live, Shoot!

1967 · Spain/Italy · 116m
Obscurity: cult. watchable legally

Nothing to do with Django, and one of the strangest and cruelest westerns Italy ever shot.

Poster for Four of the Apocalypse

Four of the Apocalypse

1975 · Italy · 104m
Obscurity: cult. watchable legally

Fulci does a bleak, hallucinatory western. Four outcasts cross a hostile frontier. Most do not make it.

Poster for Cemetery Without Crosses

Cemetery Without Crosses

1969 · France/Italy · 90m
Obscurity: cult. watchable legally

The French corner of the spaghetti cycle: gaunt, ritualistic, and dedicated to Leone.

Poster for The Grand Duel

The Grand Duel

1972 · France/West Germany · 90m
Obscurity: cult. watchable legally

Lee Van Cleef, one three-way showdown, and the Bacalov theme you know from Kill Bill.