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Carsploitation

1971–1981 · 13 films catalogued

Real cars, real speed, real crashes, no computers.

A brief American and Australian cycle where the car is the subject rather than the transport.

The serious end

Vanishing Point and Two-Lane Blacktop, both 1971, are road films where the driving carries the whole argument.

The other end

Gone in 60 Seconds (1974), made by insurance-adjuster-turned-director H.B. Halicki, is a 40-minute continuous chase. Ninety-three cars were destroyed. Halicki broke both his ankles.

Why it cannot be remade

Everything on screen is a real vehicle at a real speed, driven by somebody who could die. Insurance and workplace safety caught up around 1981 and that was the end of it.

Carsploitation films on file

All 13 Carsploitation films →
Poster for Mad Max

Mad Max

1979 · Australia · 88m
Obscurity: canon. watchable legally. banned somewhere

Made for nothing on public roads. You can feel every dollar missing.

Poster for Mad Max 2

Mad Max 2

1981 · Australia · 95m
Obscurity: canon. watchable legally

The template the whole Italian post-nuke cycle copied for a decade.

Poster for Death Race 2000

Death Race 2000

1975 · USA · 80m
Obscurity: canon. watchable legally

Corman satire with actual teeth. Stallone before anyone knew.

Poster for Vanishing Point

Vanishing Point

1971 · USA · 98m
Obscurity: known. watchable legally

A white Challenger, amphetamines, and an existential crisis at speed.

Poster for Two-Lane Blacktop

Two-Lane Blacktop

1971 · USA · 102m
Obscurity: known. watchable legally

Almost no dialogue, almost no plot, and completely hypnotic.

Poster for Gone in 60 Seconds

Gone in 60 Seconds

1974 · USA · 105m
Obscurity: known. watchable legally

93 cars destroyed for real. The director broke his own ankles. Worth it.

Poster for Dirty Mary Crazy Larry

Dirty Mary Crazy Larry

1974 · USA · 93m
Obscurity: cult. watchable legally

Ninety minutes of driving and one of cinema's great abrupt endings.

Poster for Road Games

Road Games

1981 · Australia · 101m
Obscurity: cult. watchable legally

Rear Window in a truck, with Stacy Keach and Jamie Lee Curtis.

Poster for The Cars That Ate Paris

The Cars That Ate Paris

1974 · Australia · 87m
Obscurity: cult. watchable legally

Peter Weir's debut. A town that farms car crashes. Very strange.

Poster for White Lightning

White Lightning

1973 · USA · 101m
Obscurity: cult. watchable legally

Burt Reynolds, moonshine, and the blueprint for a decade of Southern comedy.

Poster for Race with the Devil

Race with the Devil

1975 · USA · 88m
Obscurity: cult. watchable legally

Satanists chase a Winnebago across Texas. Better than that sounds.

Poster for White Line Fever

White Line Fever

1975 · USA · 92m
Obscurity: cult. watchable legally

Trucker versus the cartel. Earnest, blue-collar, better than expected.

Poster for Stunt Rock

Stunt Rock

1978 · Australia · 91m
Obscurity: obscure. watchable legally

No plot. A stuntman and a prog band. Exists purely so Grant Page can work.