Mad Max 2
The template the whole Italian post-nuke cycle copied for a decade.
Italian producers watched Mad Max 2 and made forty of them in five years.
Post-nuke films are Italian post-apocalyptic action pictures of the 1980s, shot cheaply in quarries outside Rome. Mad Max 2 (1981) and Escape from New York (1981) came out months apart and were both enormous in Italy. Roman producers responded the way Roman producers always responded.
A wasteland, which is a quarry outside Rome. A drifter with a modified car. A gang in shoulder pads and hockey masks. A settlement with a water supply worth defending. Somewhere in the last reel, a monologue about the old world.
1990: The Bronx Warriors, Escape from the Bronx, 2019: After the Fall of New York, The New Barbarians, Warriors of the Wasteland. Enzo G. Castellari and Sergio Martino made most of the good ones, having already made most of the good poliziotteschi.
The budgets were tiny and the ambition was not, so you get a lot of practical vehicle work, real fire, and stuntmen taking hits that would not be approved anywhere today. The dialogue is uniformly terrible in every dub.
1990: The Bronx Warriors, for Fred Williamson in a cape.
The template the whole Italian post-nuke cycle copied for a decade.
Fred Williamson in a cape. Castellari doing Warriors on a Roman budget.
The last fertile woman on Earth, in a quarry outside Rome.
More of the same, with flamethrowers and property developers as villains.
Castellari's Mad Max, with perspex cars and George Eastman. Sold in the US as Warriors of the Wasteland.
Starts as caveman fantasy, becomes science fiction with no warning.
D'Amato and Eastman's Mad Max in a cowboy hat. Assembled entirely from better films.
A drive-in turned into an internment camp. The satire is not subtle.
The Italian Road Warrior with sand instead of the Bronx, muscle car included.