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Body horror

1975–1992 · 15 films catalogued

The flesh betrays itself. Mostly early Cronenberg, and mostly disgusting on purpose.

Horror in which the threat is the body itself: mutation, infection, transformation, the collapse of the boundary between organism and disease, or organism and machine. Distinct from splatter, which is gore for spectacle. Body horror is gore with a thesis, and the thesis is that you are meat.

The one name

David Cronenberg is the genre, at least at the start. Shivers (1975) fills an apartment tower with a sexually transmitted parasite; Rabid (1977) gives Marilyn Chambers a blood-feeding stinger; The Brood (1979) externalises rage as physical offspring; Videodrome (1983) and Scanners (1981) push the flesh-and-media obsession further. His clinical, unhysterical tone is what separates body horror from a gross-out.

The others

Stuart Gordon's Re-Animator and From Beyond bring a Lovecraftian version. Brian Yuzna's Society (1989) turns the class metaphor literal in a finale of melting rich people. Frank Henenlotter (Basket Case, Brain Damage) does the grimy New York strain. Shinya Tsukamoto's Tetsuo is the Japanese industrial version.

Why it is its own thing

Splatter wants to make you flinch; body horror wants to make you uneasy about being alive in a body at all. The best of it is closer to Kafka than to Friday the 13th.

Where to start

Videodrome for the ideas, Society for the finale, The Brood for the dread.

Body horror films on file

All 15 Body horror films →
Poster for Videodrome

Videodrome

1983 · Canada/USA · 89m
Obscurity: canon. watchable legally

Long live the new flesh. Cronenberg's prophecy about media, the body, and a chest that opens.

Poster for Scanners

Scanners

1981 · Canada · 103m
Obscurity: known. watchable legally. banned somewhere

The exploding head made Cronenberg bankable. The film around it is smarter than that scene.

Poster for Shivers

Shivers

1975 · Canada · 87m
Obscurity: known. watchable legally

Cronenberg's debut. A phallic parasite turns a luxury apartment tower into an orgy of the infected.

Poster for The Brood

The Brood

1979 · Canada · 92m
Obscurity: known. watchable legally

Cronenberg turns a divorce into monsters. Rage made flesh, and it is about his own custody battle.

Poster for From Beyond

From Beyond

1986 · USA/Italy · 85m
Obscurity: known. watchable legally

Stuart Gordon and Jeffrey Combs do Lovecraft again. A machine that lets you see what should stay unseen.

Poster for Basket Case

Basket Case

1982 · USA · 91m
Obscurity: known. watchable legally

$35,000, shot on 42nd Street, and completely charming. The best kind of cheap.

Poster for Rabid

Rabid

1977 · Canada/USA · 87m
Obscurity: known. watchable legally. banned somewhere

Cronenberg gives Marilyn Chambers a blood-feeding stinger. Montreal falls apart around her.

Poster for Tetsuo: The Iron Man

Tetsuo: The Iron Man

1989 · Japan · 67m
Obscurity: known. watchable legally

Sixty-seven minutes of industrial nightmare. Nothing else looks like it.

Poster for Society

Society

1989 · USA/Japan · 99m
Obscurity: known. watchable legally

A teen suspects his rich family are not human. The finale proves it, wetly.

Poster for Cemetery Man

Cemetery Man

1994 · France/Italy · 92m
Obscurity: known. watchable legally

A cemetery caretaker shoots the returning dead and falls in love repeatedly. Beautiful and deranged.

Poster for Frankenhooker

Frankenhooker

1990 · USA · 85m
Obscurity: known. watchable legally

A man rebuilds his dead girlfriend from the parts of exploded sex workers. Exactly that stupid, and great.

Poster for Tokyo Gore Police

Tokyo Gore Police

2008 · Japan · 109m
Obscurity: cult. watchable legally

The Japanese splatter movement at full arterial pressure, from the man who built it.

Poster for Brain Damage

Brain Damage

1988 · USA · 84m
Obscurity: cult. watchable legally

A parasite gives a young man euphoric highs in exchange for feeding it brains. Addiction as horror.

Poster for The Boxer's Omen

The Boxer's Omen

1983 · Hong Kong · 105m
Obscurity: obscure. watchable legally

The most deranged thing Shaw Brothers ever paid for, and it never slows down to explain itself.

Poster for The Twilight People

The Twilight People

1972 · Philippines · 81m
Obscurity: deep cut. watchable legally

The cheapest Island of Doctor Moreau ever committed to film, and one of the most watchable.