Bamboo House of Dolls
Shaw Brothers takes on the WIP film. As strange a combination as it sounds.
Shaw Brothers, Golden Harvest, and the grindhouse circuit that dubbed all of it badly.
Hong Kong martial arts cinema, and the Western exploitation circuit that imported it.
Shaw Brothers ran an actual studio system out of Clearwater Bay: contract players, standing sets, and a production line that turned out hundreds of films. Chang Cheh made the violent ones, Lau Kar-leung made the technically serious ones, and The 36th Chamber of Shaolin (1978) is the best training film ever made.
Golden Harvest broke away in 1970 and signed Bruce Lee, which decided the next decade.
Through the grindhouse and the drive-in, usually in prints dubbed carelessly and retitled twice. American distributors cut them, rescored them, and sold them alongside blaxploitation on double bills, which is how Enter the Dragon and Black Belt Jones ended up sharing an audience.
Bruce Lee died in 1973 with an unfinished film. The industry responded by hiring lookalikes named Bruce Li, Bruce Le and Dragon Lee and making dozens of films with them, including several in which Lee's death is a plot point. It is one of the strangest episodes in film history.
The 36th Chamber of Shaolin, then Five Deadly Venoms for how odd Chang Cheh got.
Shaw Brothers takes on the WIP film. As strange a combination as it sounds.
A Shaw wuxia that turns into a slasher, with lanterns made of human skin.
Cirio Santiago's Manila blaxploitation at full tilt, remembered for one fight staged in the dark.
The girls-with-guns spy picture Tarantino keeps name-checking, and rightly.
Four men maimed by a tyrant learn to fight through their disabilities. Chang Cheh at his most inventive.
A prince and a thief, master and pupil in disguise. Lau Kar-leung's wittiest choreography.
Lau Kar-leung's revenge epic. A survivor spends years learning the one style that can beat the villain.
Chinese kung fu versus Japanese martial arts, as a marriage. Lau Kar-leung's most good-natured film.
Jimmy Wang Yu invents the empty-hand kung fu film. No swords.
Lau Kar-leung's brutal last great Shaw film. A massacred family, and pole fighting as grief.
Sonny Chiba tearing people apart. First film rated X in America for violence alone.
Jim Kelly karate-chops the mob to save a Watts dojo. Blaxploitation meets kung fu, joyfully.