Skip to content

Transgressive & midnight

1970–1990 · 37 films catalogued

Films made to offend, that found their audience at midnight. Waters, Jodorowsky, Lynch.

Not a genre so much as a scene: films made deliberately to disgust, provoke or bewilder, which the studios would not touch and which found their audience through late-night repertory screenings. The midnight movie circuit was their distribution system, and word of mouth was their marketing.

John Waters

The presiding genius of American bad taste. Pink Flamingos (1972), in which Divine competes to be the filthiest person alive and eats dog excrement on camera to settle it, is the purest act of cinematic provocation ever committed to film. Female Trouble and Desperate Living followed. Waters made offence into an art form and did it with genuine wit.

The others

Alejandro Jodorowsky's El Topo and The Holy Mountain built the midnight circuit. David Lynch's Eraserhead (1977) ran at midnight for years and made him. George Romero, John Waters, and the Rocky Horror phenomenon all lived here. Later, Jorg Buttgereit's Nekromantik and the shot-on-video underground extended the tradition.

Why it belongs on this site

Transgressive cinema is exploitation's most self-aware wing: it exists to cross lines, and it knows exactly which lines it is crossing. Where the rest of the site's films offend by accident or for profit, these offend on purpose, as the entire point.

Where to start

Pink Flamingos if your stomach is strong, Eraserhead if it is not.

Transgressive & midnight films on file

All 37 Transgressive & midnight films →
Poster for Oldboy

Oldboy

2003 · South Korea/Japan · 116m
Obscurity: canon. watchable legally

The corridor fight alone would earn its place. The last twenty minutes are why nobody forgets it.

Poster for Eraserhead

Eraserhead

1977 · USA · 89m
Obscurity: canon. watchable legally

Lynch's industrial nightmare about fatherhood. It played midnight for years and made him.

Poster for Battle Royale

Battle Royale

2000 · Japan · 113m
Obscurity: canon. watchable legally

A class of ninth-graders handed weapons and told to kill each other. Fukasaku at seventy, swinging hard.

Poster for Irreversible

Irreversible

2002 · France · 97m
Obscurity: canon. watchable legally

Noe runs the night backwards so the horror lands before the love does, and half the cinema left before either.

Poster for In the Realm of the Senses

In the Realm of the Senses

1976 · France/Japan · 105m
Obscurity: canon. watchable legally

The art film that shipped its own negatives abroad to beat Japan's censors. Unsimulated, and deadly serious about it.

Poster for Audition

Audition

1999 · Japan · 115m
Obscurity: canon. watchable legally

The slowest, sweetest bait-and-switch in horror. Miike lets you fall for her first.

Poster for The Holy Mountain

The Holy Mountain

1973 · Mexico · 114m
Obscurity: canon. watchable legally

Jodorowsky's spiritual epic. Every frame is a blasphemous tableau, and it is dead serious.

Poster for Martyrs

Martyrs

2008 · Canada/France · 95m
Obscurity: canon. watchable legally

The New French Extremity's defining title, and the one that empties the room.

Poster for Pink Flamingos

Pink Flamingos

1972 · USA · 93m
Obscurity: canon. banned somewhere

Divine competes to be the filthiest person alive. The most notorious act in film history closes it.

Poster for Sympathy for Mr. Vengeance

Sympathy for Mr. Vengeance

2002 · South Korea · 121m
Obscurity: canon. watchable legally

The coldest panel of Park's revenge trilogy, with no jokes and no mercy in it.

Poster for I Saw the Devil

I Saw the Devil

2010 · South Korea · 141m
Obscurity: known. watchable legally

Revenge as a chew toy. Nobody in Korean cinema has been crueller for longer.

Poster for High Tension

High Tension

2003 · France · 87m
Obscurity: known. watchable legally

Aja before Hollywood, at maximum brutality, with a twist that still starts fights.

Poster for Inside

Inside

2007 · France · 83m
Obscurity: known. watchable legally

The French extremity wave stripped to one room, one night, and a pair of scissors.

Poster for Suicide Club

Suicide Club

2001 · Japan · 99m
Obscurity: known. watchable legally

Opens with fifty-four schoolgirls and an oncoming train. Then it gets stranger.

Poster for Santa Sangre

Santa Sangre

1989 · Mexico · 119m
Obscurity: known. watchable legally

Jodorowsky's late masterpiece. A circus, a cult, an armless mother, and her son's hands.

Poster for The Beast

The Beast

1975 · France · 104m
Obscurity: known. watchable legally. banned somewhere

An acclaimed animator's fairytale about a noblewoman and a well-equipped forest beast, banned on sight.

Poster for Female Trouble

Female Trouble

1974 · USA · 97m
Obscurity: known. watchable legally

Divine's crime spree as performance art. Waters at his most focused and vicious.

Poster for The Untold Story

The Untold Story

1993 · Hong Kong · 96m
Obscurity: cult. watchable legally

Anthony Wong won Best Actor for this. Then you find out what goes in the pork buns.

Poster for Trouble Every Day

Trouble Every Day

2001 · France/Germany · 101m
Obscurity: cult. watchable legally

Cannibal desire filmed like an art installation, and it will not hurry for you.

Poster for Der Todesking

Der Todesking

1990 · West Germany · 74m
Obscurity: cult. watchable legally

Buttgereit's bleakest: seven suicides, one rotting corpse holding it together.

Poster for Nekromantik 2

Nekromantik 2

1991 · Germany · 104m
Obscurity: cult. watchable legally

Buttgereit's necrophilia sequel, prosecuted on arrival, and stranger than the first.

Poster for Calvaire

Calvaire

2004 · France/Belgium · 88m
Obscurity: cult. watchable legally

Deliverance relocated to the Belgian mud, and just as unwilling to let anyone leave.

Poster for Successive Slidings of Pleasure

Successive Slidings of Pleasure

1974 · France · 105m
Obscurity: cult. watchable legally

A nouveau-roman novelist makes a nunsploitation film and refuses to let it mean anything.

Poster for Tromeo and Juliet

Tromeo and Juliet

1996 · USA · 107m
Obscurity: cult. watchable legally

Body piercings, a penis monster, and Lemmy on narration. Troma's actual masterpiece.