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Splatter

1963–1990 · 45 films catalogued

Gore as the entire attraction, invented by a man who mostly made nudie films.

Films where graphic gore is the product rather than a consequence of the story.

The inventor

Herschell Gordon Lewis made Blood Feast in 1963 for about $24,500, in four days, because the nudie-cutie market was collapsing and he needed something drive-ins could not get on television. It is barely competent as filmmaking. It is also the first film built entirely around on-screen dismemberment, and everything in this category descends from it.

Lewis followed it with Two Thousand Maniacs! and Color Me Blood Red, then split with his producer David F. Friedman and kept returning to gore between other exploitation work, including The Wizard of Gore (1970) and The Gore Gore Girls (1972).

The technicians

The form got good when the effects people got good. Tom Savini, who had been a combat photographer in Vietnam, did Dawn of the Dead, Friday the 13th and Maniac. Giannetto De Rossi did Fulci's zombie films. Rob Bottin and Rick Baker took it into major studios.

The comic turn

By the mid-80s the excess had become the joke: Re-Animator, The Evil Dead II, Street Trash, Braindead. The gore is so far past plausibility that the only available response is laughing.

Where to start

Re-Animator, which is the point where the technique and the writing finally matched.

Splatter films on file

All 45 Splatter films →
Poster for The Evil Dead

The Evil Dead

1981 · USA · 85m
Obscurity: canon. watchable legally. banned somewhere

Prosecuted in Britain. Actually a comedy, though it took years to admit it.

Poster for The Evil Dead II

The Evil Dead II

1987 · USA · 85m
Obscurity: canon. watchable legally

Remake and sequel at once. Raimi discovers slapstick and never looks back.

Poster for Dawn of the Dead

Dawn of the Dead

1978 · USA/Italy · 126m
Obscurity: canon. watchable legally. banned somewhere

A shopping mall, four survivors, and Savini's finest hour.

Poster for Day of the Dead

Day of the Dead

1985 · USA · 100m
Obscurity: canon. watchable legally

The bleakest Romero. Bub is the only sympathetic character in it.

Poster for Braindead

Braindead

1992 · New Zealand · 104m
Obscurity: canon. watchable legally. banned somewhere

Jackson before the trilogy. The lawnmower scene ends the argument.

Poster for Re-Animator

Re-Animator

1985 · USA · 104m
Obscurity: known. watchable legally

Where the effects and the writing finally matched. Jeffrey Combs is perfect.

Poster for The Return of the Living Dead

The Return of the Living Dead

1985 · USA · 86m
Obscurity: known. watchable legally

Punk soundtrack, running zombies, and the film that invented 'BRAINS'.

Poster for Bad Taste

Bad Taste

1987 · New Zealand · 88m
Obscurity: known. watchable legally

Shot at weekends over four years by Jackson and his friends. Astonishing.

Poster for Ichi the Killer

Ichi the Killer

2001 · Japan · 129m
Obscurity: known. watchable legally

Miike hands out sick bags at the premiere and earns every one of them.

Poster for The Toxic Avenger

The Toxic Avenger

1984 · USA · 91m
Obscurity: known. watchable legally

Troma's only good film, and the head-crushing is still funny.

Poster for Bride of Re-Animator

Bride of Re-Animator

1990 · USA · 97m
Obscurity: known. watchable legally

Herbert West builds a woman from parts. The sequel goes bigger, wetter and more demented.

Poster for From Beyond

From Beyond

1986 · USA/Italy · 85m
Obscurity: known. watchable legally

Stuart Gordon and Jeffrey Combs do Lovecraft again. A machine that lets you see what should stay unseen.

Poster for Inside

Inside

2007 · France · 83m
Obscurity: known. watchable legally

The French extremity wave stripped to one room, one night, and a pair of scissors.

Poster for Basket Case

Basket Case

1982 · USA · 91m
Obscurity: known. watchable legally

$35,000, shot on 42nd Street, and completely charming. The best kind of cheap.

Poster for Nekromantik

Nekromantik

1987 · West Germany · 68m
Obscurity: known. watchable legally. banned somewhere

German, banned widely, and much sadder than its reputation suggests.

Poster for Tetsuo: The Iron Man

Tetsuo: The Iron Man

1989 · Japan · 67m
Obscurity: known. watchable legally

Sixty-seven minutes of industrial nightmare. Nothing else looks like it.

Poster for Maniac

Maniac

1980 · USA · 88m
Obscurity: known. watchable legally. banned somewhere

Savini's effects, Spinell's performance, and a very bleak little film.

Poster for The Exterminator

The Exterminator

1980 · USA · 99m
Obscurity: known. watchable legally

A flamethrower and a meat grinder. Death Wish with the restraint removed.

Poster for Frontier(s)

Frontier(s)

2007 · France/Switzerland · 101m
Obscurity: known. watchable legally

Texas Chainsaw with a French accent and a swastika over the door.

Poster for Dead & Buried

Dead & Buried

1981 · USA · 92m
Obscurity: known. watchable legally. banned somewhere

Stan Winston effects and a good twist. Underseen.

Poster for The Driller Killer

The Driller Killer

1979 · USA · 96m
Obscurity: known. watchable legally. banned somewhere

Abel Ferrara's debut. More interesting as a document of downtown New York.

Poster for Two Thousand Maniacs!

Two Thousand Maniacs!

1964 · USA · 87m
Obscurity: known. watchable legally

H.G. Lewis, a Southern town, and gore effects that predate everyone.

Poster for Blood Feast

Blood Feast

1963 · USA · 67m
Obscurity: known. watchable legally. banned somewhere

The first gore film. Barely competent, historically unavoidable.

Poster for Frankenhooker

Frankenhooker

1990 · USA · 85m
Obscurity: known. watchable legally

A man rebuilds his dead girlfriend from the parts of exploded sex workers. Exactly that stupid, and great.