Possession
On the nasties list by pure bureaucratic accident. An actual masterpiece about divorce.
479 entries. Curated, not exhaustive. A short shelf of things worth knowing about beats a long one nobody can navigate.
On the nasties list by pure bureaucratic accident. An actual masterpiece about divorce.
Nazisploitation with a real budget and Tinto Brass's dirty fingerprints. Ilsa was the knock-off.
Bava invents the slasher a decade early. Friday the 13th copied two kills outright.
Bava's debut as director. Barbara Steele and a mask full of spikes.
Revenge, Van Cleef, and a score Tarantino lifted wholesale.
Jodorowsky's mystical, violent acid western. It essentially invented the midnight movie.
The spaghetti western attends its own funeral, cracking jokes. Fonda, Terence Hill, and Leone's fingerprints everywhere.
The whale wants revenge and has a plan. Morricone score, oddly moving.
Sayles script, Dante direction, and jokes that land. The best Jaws rip.
Argento's coldest and cleverest. That crane shot earns its reputation.
The best training film ever made. Lau Kar-leung at the peak.
Makes no sense whatsoever and is Fulci's best film. Dream logic, fully committed.
George C. Scott versus a bouncing red ball. The best serious ghost film of its decade.
Leone's actual debut, three years before the westerns.
Punk soundtrack, running zombies, and the film that invented 'BRAINS'.
Lugosi, Haitian folklore, and the first zombie film. No eating involved.
Abandons realism entirely. Bronson defends a housing block with a machine gun.
Meyer's best. Tura Satana is a genuine screen presence and the dialogue snaps.
A flying silver sphere, a towering undertaker, and dream logic. Nobody has explained it since.
A gadget-toting gunfighter blackmails a whole town. Lee Van Cleef, having an obvious blast.
A great film about power, still censored fifty years on.
A zombie fights a shark. Fulci's splinter shot is still the worst thing here.
A 1922 documentary about witchcraft that is also a horror film. Way ahead of itself.
Argento's debut, and the film that made the giallo an export.
Argento's best. Goblin's score does half the work and knows it.
The most argued-about film on this site. Read the glossary entry before deciding.
Divine competes to be the filthiest person alive. The most notorious act in film history closes it.
Where the effects and the writing finally matched. Jeffrey Combs is perfect.
The exploding head made Cronenberg bankable. The film around it is smarter than that scene.
The film that built Hammer, in blood-red colour the censors hated.
Craven's meanest. The suburban family turn out to be the better killers.
Jackson before the trilogy. The lawnmower scene ends the argument.
Corman satire with actual teeth. Stallone before anyone knew.
The most-watched Godzilla film in Japan, and essentially an ad-industry farce with two giant monsters.
Jodorowsky's spiritual epic. Every frame is a blasphemous tableau, and it is dead serious.
Carpenter remaking Rio Bravo for $100,000. The ice cream scene is still shocking.