The Exorcist
Plays it entirely straight and takes the theology seriously. Still works.
Devil worship, possession, and a decade of audiences half believing it.
Films about satanic conspiracy, possession and witchcraft, made during and feeding a real public anxiety.
Rosemary's Baby (1968), The Exorcist (1973) and The Omen (1976) were major studio productions with major casts, and they made enormous money. The Exorcist is the highest-grossing R-rated horror film for a reason: it plays entirely straight, takes its theology seriously, and is hard to sit through.
Every industry with a camera responded. Italy produced Beyond the Door and a long line of Exorcist variants, several of which were sued. Turkey produced Şeytan, which is The Exorcist shot for shot with the same score. Britain produced To the Devil a Daughter, which finished Hammer off.
By the early 1980s the fiction had escaped into real life. American police departments ran seminars on satanic ritual abuse, day-care prosecutions ruined lives, and the evidence for an organised satanic conspiracy turned out to be nothing at all. The films did not cause that, but they were the vocabulary it used.
Rosemary's Baby, then The Wicker Man, which inverts the whole thing by making the pagans the ones in charge.
Plays it entirely straight and takes the theology seriously. Still works.
Nothing supernatural is ever shown. It does not need to be.
Studio horror with a Goldsmith choir and four very memorable deaths.
A 1922 documentary about witchcraft that is also a horror film. Way ahead of itself.
A flying silver sphere, a towering undertaker, and dream logic. Nobody has explained it since.
George C. Scott versus a bouncing red ball. The best serious ghost film of its decade.
Korea's classiest ghost story, and the one that actually rewards a rewatch.
Made by an industrial-film director for $33,000. Genuinely haunted.
Romero's vampire film. A boy who needs blood, and no fangs, cape or certainty that he is one.
Hammer's best occult film. Lee as the hero for once, and enjoying it.
Hammer's last gasp. Christopher Lee said it finished the studio off.
A plough turns up a skull and a village falls apart. Coined the term.
The best Amicus omnibus, and Joan Collins versus a killer Santa two years before Black Christmas.
A detective investigates random killers who all say God ordered it. It goes somewhere insane.
Satanists chase a Winnebago across Texas. Better than that sounds.
The Ramsay brothers' witch movie, with musical numbers between the murders.
The Exorcist, shot-for-shot, in Istanbul, with the same score. Astonishing nerve.
The blaxploitation Exorcist. A minister's wife is possessed by a sex demon. Warner Bros sued.
The first Brazilian horror film, and the birth of Coffin Joe, a national icon with terrible fingernails.
The rare sequel that adds Pam Grier and a shred of dignity.
The Italian Exorcist. Warner sued. It made money anyway.
A dead 1940s gangster possesses a mild law student. Blaxploitation crossed with the supernatural.
Made by the couple who then wrote American Graffiti. A nightmare that never explains itself.
The Terminator, if the machine were a sea goddess and had no shame whatsoever.