Boardinghouse
The first shot-on-video horror feature, blown up to 35mm and just as ugly as that sounds.
519 entries. Curated, not exhaustive. A short shelf of things worth knowing about beats a long one nobody can navigate.
The first shot-on-video horror feature, blown up to 35mm and just as ugly as that sounds.
Prison-boxing blaxploitation that out-grossed every indie of its year and got forgotten anyway.
Rudy Ray Moore makes a deal with the Devil to come back from the dead. Deranged and delightful.
H.G. Lewis hands the gore to a real biker gang. The acting is a crime; the piano wire is the point.
Cirio Santiago's Manila blaxploitation at full tilt, remembered for one fight staged in the dark.
Exactly what it says, at half the pace you want.
The definitive Doris Wishman roughie: grimy, deranged, and edited by someone allergic to faces.
One of the most profitable independents ever made. Nastier than its reputation.
Al Adamson's grimiest, shot partly where the Manson family was living.
A flamboyant pimp fights to stay on top as everything closes in. Sharper and sadder than most.
A biracial cop pairing hunts jewel thieves in Detroit. Tarantino re-released it for a reason.
The Canadian Deliverance, and grimmer than the nickname promises.
Herschell Gordon Lewis invents the roughie the same year he invents gore. Busy man.
Brown, Williamson and Kelly against a plot to poison the water supply.
Dwain Esper's roadshow lunacy. A man eats a cat's eye. Not the 1980 film.
Revenge via Haitian zombies. The best of the blaxploitation horror crossovers.
The most elegant film ever filed under sexploitation, and the reason Metzger belongs in the canon.
Half drama, half documentary of 1970s Oakland. The real players are in it.
A girl gang robs, kidnaps and worse. Written by Ed Wood, which explains everything.
Pam Grier as the sadist for once. Bleaker than its stablemates.
Jonathan Demme's first script, produced by Corman. Rashomon on bikes.
An art film that was sold as a vampire picture. Recut and buried for decades.
A dead 1940s gangster possesses a mild law student. Blaxploitation crossed with the supernatural.
The film that invented nazisploitation six years before Ilsa made it a genre.
Made by the couple who then wrote American Graffiti. A nightmare that never explains itself.
Jack Hill's first, Lon Chaney Jr's last good role. Very odd and very fond.
Funnier and better than the first. Sid Haig is having an excellent time.
Herschell Gordon Lewis signs off with a meat tenderiser and a gag about chocolate milk.
A stage magician whose tricks are real. Lewis's most interesting idea.
The blaxploitation Exorcist. A minister's wife is possessed by a sex demon. Warner Bros sued.
Linda Blair goes to prison. A sleazy 80s update of the formula, with a corrupt warden and a hot tub.
Technically inept and completely irresistible. Boom mics in every other shot.
The women-in-prison film as its own punchline, fronted by the lead singer of the Plasmatics.
The rare sequel that adds Pam Grier and a shred of dignity.
Jack Hill doing Othello with teenage gangs. Much smarter than it needs to be.
Jack Hill and Pam Grier invent the modern formula in the Philippines.